Review: Midsomer Murders: The Killings at Badger’s Drift (Richmond Theatre / UK & Ireland Tour)

Review by Rosie Holmes

⭐️⭐️⭐️⭐️

The beloved TV series Midsomer Murders has made the leap from screen to stage, bringing its signature blend of cosy mystery and quirky village life to theatres across the UK. The first-ever stage adaptation, The Killings at Badger’s Drift, opens at Richmond Theatre before heading out on tour. Based on the very first episode of the long-running show, it’s a thoroughly enjoyable evening of mystery, mischief, and murder.

The story begins with the death of Emily Simpson, a well-loved former teacher, found at home by the postman. Her lifelong friend, Mrs Bellringer, suspects foul play and alerts DCI Barnaby and DS Troy, setting off a classic whodunnit in a village where everyone knows everyone, and everyone has something to hide. It’s a familiar formula, but one that still works brilliantly on stage, especially when delivered with such wit and affection.

Daniel Casey, who originally played Troy in the TV series, now steps into the role of Barnaby. It’s a clever casting choice that adds a layer of nostalgia for long-time fans. Casey’s performance is calm and assured, with subtle nods to John Nettles’ original portrayal that will no doubt delight viewers of the show. James Bradwell plays Troy with a youthful energy and a touch of naivety, providing a nice contrast to Barnaby’s steady presence.

The supporting cast is a highlight, with quick changes and character swaps used to great comic effect. Nathalie Barclay brings a compelling mix of charm and menace to Katherine Lacey, while Julie Legrand is sharp and witty as Lucy, delivering some of the best one-liners of the night. John Dougall’s turn as Iris Rainbird is wonderfully absurd, embracing the eccentricity of the character and the show’s overall tone

Guy Unsworth’s direction leans into the humour and theatricality of the piece, never taking itself too seriously. The script is peppered with puns and innuendos about Midsomer’s infamous murder rate, which land well with the audience and add to the fun. It’s a production that knows exactly what it is and revels in it.

The set design from David Woodhead is clever and versatile, capturing the essence of a quintessential English village with multiple moving set pieces and movable furniture that served both practical and comedic purposes. A roundel at the back of the stage allowed for flashbacks and seamless transitions, supporting the fast-paced nature of the show.

As someone new to Midsomer Murders, I may have missed a few of the in-jokes that had the audience chuckling, but that didn’t take away from the experience. What I saw was a well-crafted, entertaining mystery with plenty of laughs and a satisfying twist. It’s not trying to reinvent the genre, but it doesn’t need to; it’s a solid, enjoyable whodunnit that offers a great night out. Whether you’re a die-hard fan or just dipping your toe into the world of Midsomer, The Killings at Badger’s Drift is a charming and funny production that delivers exactly what it promises: murder, mystery, and a whole lot of fun.

Midsomer Murders: The Killings at Badger’s Drift plays at Richmond Theatre until 1st November and continues its UK & Ireland tour until June 2026.

Select dates and tickets here

Photos by Manuel Harlan