Review: Alice’s Adventures In Wonderland (Orange Tree Theatre)

Review by Heva Kelly

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A new adaptation of Lewis Carroll’s classic story, Alice’s Adventures in Wonderland, by Chinonyerem Odimba, is brought to life at Orange Tree Theatre. Dropping us down the rabbit hole alongside Alice, in a lightning performance of inventive storytelling and spiralling madness.

The Alice that we know and love embarks on her journey once again. But is it, in fact, the Alice we know? This new adaptation brings more layers to the clumsy girl who gets lost in a nonsensical world than ever before. Delving into her psyche and sense of self, we connect with Alice on a deeper level, as we follow her journey throughout Wonderland once more. On the way, we meet an array of fantastical characters, obstacles for Alice, and, of course, get invited into the madness of one particular tea party.

The Orange Tree Young Company of 2025 deserve an almighty recognition for their mastery of so many elements: from singing, dancing, physical theatre, puppetry, multi-rolling and accents - this highly skilled ensemble is made up of many young people who we should absolutely be keeping our eyes out for. With a cast of 18 performing in the ‘square’ round with such versatility and energy from start to finish, it is safe to say we feel well and truly immersed in the magical world. This production really is a feast for the eyes, though at times, the audience may feel as if the energy is so high that there is a risk of feeling overstimulated - perhaps a warning to those with HSP. However, the cast absolutely find moments of gravity to bring us as ‘back to earth’ as they can within this dream-like, abnormal world. 

In many ways, I feel like this vivacious sensory overload might just be the point. If you think Wonderland is chaotic, perhaps take a look at the systems we’ve set up for ourselves in this superfluous 21^st century. Perhaps Odimba and director Matt Hassall are holding up a mirror to the frenzy of our modern-day society and how we, too, are at risk of getting lost in it all. Odimba has interwoven this retelling with morals for an ever-busying world, with a big environmental commentary and a message to talk to others instead of judging, be the change you want to see, share parts of yourself to help others open up, and not be afraid to enjoy the adventure.

A central part of this production's success is down to the outstanding design of an exceptional team of backstage artists - with lighting by Will Reynolds, set and costume by Isabella Van Braeckel, sound by Ellie Isherwood and more brilliant minds. It is clear just how much thought and precision have gone into making this production. Matt Hassall has orchestrated it all together in otherworldly accuracy, with seamless transitions so you’re never once pulled out of the action. I can only imagine the fun the cast must’ve had in the room with Hassall, made clear by such open and vibrant performances.

Now I know what you’re thinking – and yes, it still nods to all the traditions.

With an undeniable respect for its history, this retelling tastefully expands upon the classic story. Don’t worry - you still get the unrecognisably demanding Queen of Hearts, the Cheshire Cat and the Mad Hatter - and if anything, it’s a joy to see forgotten characters like the wacky Duchess, sneezy Cook and Mock Turtle (that the Disney movies largely removed) back in action. 

In moments, the form catches us off guard - starting off with an abstract style, with emphasis on physical theatre, but later evolving into a more familiar musical form. Personally, the form felt a little ‘off its head’ at points, and I was left yearning for more of those initial moments of clever choreography and artistic invention. However, without the musical elements that pulled the room together at the end, there wouldn’t have been such a fantastic atmospheric buzz, and maybe that’s the point - it can be it all if it wants to be, just like Alice: big or small, quiet or loud, maybe this show just doesn’t want to be stuffed into a teapot. 

The Orange Tree Theatre has created a truly incredible opportunity for young people, with Tom Littler and Julie Weston at the helm, and it is a joy to see this young company bring so much soul to their unique telling of this beloved world. This independent theatre, with a drive to support the industry where it needs it most, is an inspiration and pleasure to visit - it is clear to see why they were granted Theatre of the Year by The Stage Awards. This dreamy, dynamic retelling of Alice’s slip into the surreal harbours some of the most vibrant and soulful performances from young actors. So, time is ticking, don’t be late; after all, it’s not one to miss. It’s entirely bonkers – but that’s the best way to be.

Alice’s Adventures In Wonderland plays at Orange Tree Theatre until 22nd December. Tickets from https://orangetreetheatre.co.uk/whats-on/alices-adventures-in-wonderland/